Showing posts with label 1989. Show all posts
Showing posts with label 1989. Show all posts

Saturday, 17 April 2021

MOVIE: Darkroom (1989)

 


Darkroom

Directed by Terrence O'Hara 

Starring  Aarin Teich, Jill Pierce, Jeff Arbaugh

Omega Entertainment 1989 

After committing a brutal double axe murder, an unknown assailant targets a large family in a remote house. Tensions rise as it becomes apparent that the killer may be someone close to them, looking for revenge after they traumatically saw two family members indulging in lewd behaviour as a child... 

Here's one I last saw on a VHS from Guild Home Video (remember them?) and had forgotten all about until a recent Bluray release. It all starts off promisingly with some creative titles which display the credits on the ephemera of a photo lab (negatives, photo paper and the like) before heading into an opening killing which indicates we might be in for a giallo-esqe hour and a half.

Unfortunately, Darkroom is promising more than it delivers and things drop off rapidly from there. The following half hour or so is a bit of a chore to sit through before things do admittedly pick up, but for a slasher flick we don't see much actual slashing going on.

Manwhile, Darkroom's murder-mystery elements fall flat through some all too obvious red herrings and dialogue which really should have been through another script revision before the cameras rolled - the obligatory-for-the-late-80's nude/scantily-clad shots do little to keep the audience's attention.

Still worth a look as one of the more forgotten entries from producer Nico Mastorakis' filmography - I'm sure some of the settings (i.e. the orange groves) look very familiar from his more impressive production of the previous year, Grandmother's House. Also, the final humility heaped on the killer in the closing moments is a nice ironic touch - it's a pity it wasn't utilised in a stronger film.

Friday, 13 September 2013

MOVIE: The Vineyard (1989)



A wine grower named Dr. Po (James Hong) has kept himself young and alive for centuries with the aid of a magical potion. As of late, the potion seems to have lost its effectiveness, but when a bunch of performers come to stay, the doctor believes that a young actress could be his new source for eternal life. Meanwhile, the zombies of the island keep rising from the ground.

It's sometime in 1989. As a regular (daily?) visitor to Pick-A-Tape in Hedge End, I have almost exhausted the horror section (and most of the other sections, now I think of it), and I am hit by the sudden realisation that I am down to the last few tapes on the shelf. At least, with the passing of time I have convinced myself that must have been the reason why I rented The Vineyard...

Familiar (if usually typecast) character actor James Hong is a triple threat as co-writer, director and star of this messy if occasionally entertaining romp. The script throws all-sorts into the blender without explanations. We never learn what the bodies of the island's visitors have to do with the wine being made. We never learn why the zombies rise out of the ground every so often. I'm not entirely sure why someone starts coughing up spiders (did I miss something?), or why the doctor has his shriveled mother locked up. And just what the hell is that ending all about?

When the aforementioned action isn't taking place, The Vineyard sadly commits what is, for me the worst cinematic crime of all: being boring. That stops the movie from falling into the "so bad, it's good" bracket. Instead it's the kind of film which makes me grateful that my blu-ray player has the capability to play at double-speed. Still, skip the talky bits (and most of the first half-hour) and stick to the zombie/action parts, and you can happily while away 45 minutes, tops. After all, it can't be that bad if I sat through it twice (albeit with a 23 year interval), can it?



USA 1989 - Northstar Entertainment

90 Minutes

Certificate - 18 (UK), R (USA)

Blu-Ray/DVD: Arrowdrome (Arrow Films), or Boulevard Entertainment (UK) - Yes, there's two versions available. Image Entertainment have released it in the USA

Original trailer (which contains most of the best bits...)

Sunday, 25 August 2013

COMMERCIAL BREAK: Maxell Tapes (1989)


So... I'm driving home from the shops today, sunroof open, stereo turned up (as you do), and on comes "Israelites" by Desmond Dekker & The Aces. Classic record. You can't help but sing along.

Except... this other set of lyrics pops into my head. Something about "sleeping for bread", "Monks and Beefheads", being "yards too greasy"... and instead of "The Israelites", all I can think of is "Me Ears Are Alight"...

It's all Maxell's fault - it's now 24 years since this ad first appeared, and these words are still in my head. The ad must have worked though - I bought tons of these tapes, as I recently rediscovered when digitising some recordings of John Peel radio shows I made around that time...

Anyway, here is that very ad for your enjoyment. And, if you now have the record (with its alternative lyric) stuck in your brain for days, it'll all be my fault. Sorry.

Maxell still make these, by the way - it seems the humble cassette is enjoying a renaissance as of late...

Friday, 19 July 2013

ALBUM: Mega City Four - "Tranzophobia" (1989)


UK - Decoy/Vinyl Solution DYL3

The summer of 1989 was a good one for me. It was the last one of the 80's for one thing, but I'd just left school too. That summer just seemed to go on forever.

Four of us would just hang out, play records, watch films, or loiter in what was then the only subway in our village. There was Mad, Em, Mike and Me, usually with Em's little personal stereo which rather usefully had a built-in speaker. Not much volume, but in that subway the echoing acoustics gave it another dimension. More often than not, the tape in that little machine would be Tranzophobia. Spacemen 3 would get the odd look-in, or whatever we'd taped off that week's John Peel shows, but invariably the MC4 would return.

Tranzophobia came out at a perfect moment: June 1989. We all had a copy. How the others laughed at me for buying it on CD. Yes, I know. They were quite right. It was a real novelty then, but my dalliance with the dreaded format was short lived and my allegiance switched back to vinyl pretty sharpish after a Jimi Hendrix CD left me sonically nonplussed.

We would play the opening parts of Start and January over and over, jumping off Em's parents' sofa and laughing our heads off as Wiz shouted "Go!", and we collapsed in a heap on the floor.

We would occasionally try to figure out where that sample at the end of On Another Planet came from. I still have no idea, and it still pops into my head now and again to torment me.

Mega City Four, four Hampshire lads from Farnborough. Wiz (guitar/vocals), Danny (rhythm guitar/vocals), Gerry (bass) and Chris (drums). They had produced an absolute perfect rush of a poppy, punky, melodic album. Fourteen songs, all short and snappy, the sort that grab you by the scruff of the neck and make you jump around, before letting go and launching into another. It was like they had 14 great singles lined up before deciding not to bother with the singles bit and jumping straight to a greatest hits record.

Except there were no singles on the album. In the meantime, they had other songs out as singles: Miles Apart, Clear Blue Sky, Awkward Kid, Less Than Senseless. There was an EP too.They were amazingly prolific over an 18 month period.

Our band, Illogical Tortoises (don't try Googling us - it'll get you nowhere) would try to play along with Severe Attack Of The Truth, Twenty One Again, What You've Got... Em and Mad on guitars, Mike on bass, and me thumping an array of pans and Tupperware containers in lieu of an actual drum kit. (I also wrote a song around this time called Ramsay Street Massacre. Yes, quite.)

Eventually... Life moved on. We variously finished A-Levels, dropped out, found jobs, moved out of the village, went to University, followed different paths, lost touch...

Mega City Four moved on too, for a bigger deal with a bigger label who promised bigger things.

Me? I went off to college in, of all places, Farnborough...

Wiz passed away far too soon, just before Christmas 2006. After that I couldn't listen to anything by Mega City Four for a long time. It was just too painful. Just lately, though I've been wanting to hear Tranzophobia again, wanting to remember how much fun and joy that record bought all of us.

That village is now a town. The wheat field you could lose yourself in is a giant Sainsbury's and Marks & Spencer. The farm that used to be opposite my house is also gone, transformed into a housing estate. The other farm we used to get our eggs from is buried under the M27. I barely recognise the place anymore. But, if I listen to Tranzophobia, it's still the same, the four of us are in that subway, sharing a surreptitious bottle of cider, listening to that tinny little cassette player and all is right with the world.

WHERE TO FIND IT: Cherry Red CD - CDM RED 197 (2002)

And here's a taster...