Showing posts with label 1971. Show all posts
Showing posts with label 1971. Show all posts

Monday, 24 August 2020

BLU-RAY: Walkabout (1971)

 

Walkabout

Directed by Nicolas Roeg

Starring Jenny Agutter, Luc Roeg (credited as Lucien John), David Gulpilil (credited as David Gumpilil)

Max L. Raab-Si Litvinoff/20th Century-Fox 1971

When a man takes his teenage daughter and younger son for a drive into the outback for a picnic, things take a shocking turn as he attempts to shoot them. Failing to do so, he torches the family car and turns the gun on himself.

The abandoned children are left to fend for themselves, as they try to make their way back home, or at least to familiar surroundings. They meet an aboriginal boy, who is on his traditional rite of passage (the “walkabout” of the title). Despite not being able to communicate verbally through their language barrier, the boy teaches them how to survive in their unfamiliar and harsh environment.

Walkabout is released on Blu-Ray in the UK by Second Sight on August 31st 2020, so what better opportunity to revisit a film which stuck in my mind from my formative years of film watching, and has revealed more of its facets with subsequent viewings. My memory deceives me that it was on television frequently in my childhood, although a bit of digging reveals that the BBC screened it three times in that period. In the times before we had a video recorder, we must have watched all those screenings in our house.

Naturally, there were elements of the film that failed to register with me at that age. In that sense, it has always felt like the film has grown with me. My younger self viewed it simply as a tale of two stranded children trying to make their way back home, but revisiting Walkabout through the passing years revealed it also to be a tragic tale of cultures clashing, as well as an allegory of modern civilisation moving away from a simpler, perhaps more natural means of existence. As Jenny Agutter says in a fascinating interview included on this Blu-Ray release:

“It tells [its] story both very simply, but with all of the different layers as well. It’s very hard to say exactly what it’s about. You know, people say “what’s the film about?” I think, to me it’s about loss of innocence.”

At this distance, the casting is fascinating. Agutter was yet to make her breakthrough film, that perennial evergreen The Railway Children, although Walkabout would actually end up being released after that particular film. The casting of Roeg’s own son Luc may well have raised a few eyebrows (and might explain the pseudonym on the credits), but it perhaps makes sense that the child in a challenging role should have absolute trust in the director from the off – how better to have this than when the young actor’s father is in charge?

Also making his film debut here was David Gulpilil (curiously credited as David Gumpilil). His performance as the boy on walkabout is so astonishing that it’s truly a puzzle that he didn’t appear in another film for five years, when an impressive triumvirate of Mad Dog Morgan, Storm Boy (an AACTA nominated performance) and The Last Wave all followed in quick succession.



The Blu-Ray:

Walkabout gets the lavish treatment it deserves in Second Sight’s superb release. It is unquestionably one of the most beautifully shot films of its time, and the 4K scan and restoration allows Nicolas Roeg’s cinematography to shine.

Special features include a new audio commentary with Luc Roeg and David Thompson, new interviews with producer Si Litvinoff, Luc Roeg and Jenny Agutter, a new interview with Danny Boyle discussing Nicolas Roeg’s work, a 2011 BFI Q&A with Nicolas Roeg, Jenny Agutter and Luc Roeg and an archive introduction by Nicolas Roeg. The main feature also has optional subtitles.

The limited edition box set (3,000 copies) comes with new slipcase artwork by Michael Boland, a copy of Donald G. Payne’s original novel (with unique cover art), a facsimile copy of the original 65 page First Draft Script with preface by Daniel Bird and an additional book with new essays by Sophie Monks Kaufman, Simon Abrams and Daniel Bird, along with stills and lobby card images.

In conclusion:

Walkabout, along with the same year’s Wake In Fright were very much films made from an outsider’s view of Australia (and it’s fascinating to contrast and compare the two films), but they are frequently cited (and with good reason) as kicking off the new wave in Australian cinema, as indigenous filmmakers began to tell their own stories, and with government backing.

The word “seminal” may be somewhat too casually applied to some films, but in the case of Walkabout it is perfectly apposite. It is a shame that a documentary on the career of David Gulpilil (included with an earlier US release) couldn't be included here, but that's a relatively minor quibble overall. The wealth of supplementary materials included with this edition, both on the disc and in the package make up what must be the near-definitive document of this quite unique film, and another fine Second Sight release.

Walkabout is available directly from Second Sight Films for pre-order, released on August 31st 2020. Click HERE to visit the product page (opens in new window).

Wednesday, 25 June 2014

MOVIE: The Complete Dr. Phibes (1971/72)



The Abominable Dr. Phibes (UK/US 1971, 94m)

Dr. Phibes Rises Again (UK/US 1972, 89m)

Both from American International Pictures

Original certificate: X, currently rated 15


In this double bill, Dr Anton Phibes (Vincent Price) starts off by seeking revenge on the medical professionals he holds responsible for the death of his wife (an uncredited Caroline Munro). Aided by his accomplice Vulnavia (Virginia North/Valli Kemp), he starts to bump them off in murders based on the Ten Plagues Of Egypt. Is chief surgeon Dr. Versalius (Joseph Cotten) being saved for last?

In the second installment, Phibes heads to Egypt in search of the secret of eternal life itself! Can he get there before rival Darrus Beiderbeck (Robert Quarry), and wipe out his expeditionary team?


Make no mistake, the Dr. Phibes films are quite unlike anything else in British horror, or elsewhere on planet Earth come to think of it. They both draw from their star's past (think House Of Wax, The Mad Magician) whilst also providing a dry run for his tour-de-force Theatre Of Blood. However, that latter masterpiece still seems decidedly earthbound in comparison with this pair, both ably helmed by Robert Fuest.

Sure, they both require massive suspensions of disbelief at times, but then it could be argued that they inhabit their own universe anyway, a strange netherworld which feeds 1920's England through an art-deco filter and embraces the dying embers of the swinging UK captured in The Avengers. There's certainly more than a touch of that series (on which Fuest worked) in the style and execution of the doctor's diabolical plans, not to mention the look and feel of the productions as a whole.

It all provides a most unusual setting for the murders, ranging from animal attacks to deaths by mechanical contraptions. You can't help but wonder what influence they may have had on the Saw movies, whose whole raison d'etre isn't exactly a million miles away from this pair.

Price is excellent as usual, but this is actually quite a different performance from him. The doctor is unable to use his mouth, speaking through an amplification device, and Vincent acts the part entirely mute, overdubbing his lines later. The effect is quite disarming, adding a surreal dash to proceedings.

This is a fine duo of gruesome, yet laugh-packed films which feature sterling support from some of Britain's finest talents. If not quite the absolute pinnacle of Price's career, they're not far off and rank with his finest works.



Blu-Ray Notes: One of Arrow's most elaborate efforts, with two custom card cases and a beautifully rendered book, housed inside a textured case reproducing the first film's famous poster art.  There are commentaries from director Fuest, creator William Goldstein and film historian Tim Lucas spread across the set, recollections from Price's daughter Victoria, plus thoughts on the film from The League Of Gentlemen. The book is a real treat, full of new writing on the films, their music and the story of American International's short lived but notable UK branch, whilst Tim Burton shares his appreciation and Caroline Munro reveals exactly why she was uncredited...

The HD transfer does show up the low budget nature of the films, but in a rather endearing way, the set design making a virtue out of necessity. Vincent Price fans are being spoilt indeed. You really need this, but be quick - this edition is limited to 3,000! Comedy Of Terrors and The Haunted Palace are promised next...

Trailer - The Abominable Dr. Phibes:

Trailer - Dr Phibes Rises Again:

Monday, 3 March 2014

COMMERCIAL BREAK: Remco Baby Laugh-A-Lot (1971)



And I thought Chucky was horrific...

Is this one of the most freaky TV ads ever, or what? Remco launched the Baby Laugh-A-Lot Doll in 1971, and somehow thought this ad would entice people to buy it. I don't think this little play item ever made it to the UK, and possibly with good reason. I mean, would you buy one of these for your child?

Just try playing this ad on repeat, and see how long you can last. Go on, I dare you...


With thanks to YouTube user PropagandaTime for the upload...

Saturday, 12 October 2013

MOVIES: In Brief (October 12th 2013)


Another round-up of recently seen movies...





Sleepwalker (UK 1985, 51 mins, BFI)

A wealthy couple visit a brother and sister in their country home. After an evening of drinking, political bickering and sexual tension, things take a turn for the worse as the guests fall victim to a crazed attacker...

Taking a timely swipe at 80's Britain and its values whilst referencing Argento, Hammer House Of Horror, The Old Dark House and more, it's remarkable that anyone tried making a short film like this in the UK industry climate of the time. The film is perhaps more admirable for what it attempts than what it actually achieves, coming across as an intriguing taster for a bigger, more fully formed project which never came. A comprehensive interview with director Saxon Logan runs for 71 minutes, and is a fascinating watch in its own right. Logan is evidently chuffed to see Sleepwalker available after many years out of circulation. If not a classic, it is worth investigating.

*** Double-billed with... ***

The Insomniac (UK 1971, 45 mins, BFI)

After a long day of work, a man (Morris Perry) struggles to get to sleep. He eventually enters a dream of escape, which the audience follows in full as he goes on a lone car journey, ends up at a strange party in a country house and meets up with a mysterious girl (Valerie Van Ost)...

Tucked away on the same disc as Sleepwalker is this quite different tale of nocturnal activity. Juxtaposing the man's dream state with the daytime fantasies of his children is an imaginative touch, and the end twist is quite effective. Director Rodney Geisler (usually a maker of industrial information films) captures the surreal and otherworldly state effectively. Beautifully shot, it's an interesting period piece.





Deranged (Spain/UK 2012, 78 mins, Phase 4 Films)

Four young girls head to a remote house in Spain for a small hen party before one of them gets married. However, after a male stripper arrives they start to get bumped off, and the survivors have to work out who the killer is before they become the next victims...

It's impossible to believe that these four girls would ever be friends in the first place, and the "twist" can be seen a mile away (the cover kind of gives the game away as well), but it's an entertaining enough romp which doesn't outstay its welcome. Marcia Do Vales' dialogue does require subtitles on occasion, though. Sadly these aren't supplied.